In Pane (2023), Tschabalala Self constructs a bold portrait of fractured identity using fabric, paint, thread, and digitally printed linen. The work explores the layered nature of selfhood, perception, and visibility, inviting viewers to reflect on the textures—both literal and metaphorical—that shape how we see ourselves and others.

In It’s Called Show Business, Anna Park builds a hypnotic visual rhythm from duplicated legs and hidden gazes. This striking monochrome diptych explores the glamour and tension of performance, revealing what lies beneath the spotlight. A critical reflection on identity, spectacle, and the illusion of visibility in both entertainment and public life.